by December » Sat Jun 12, 2010 10:32 am
I'd agree...once you've got the idea of vampire body parts going up in smoke in a Funeral Pyre of No Return, the flammability of vampires is a natural implication. But I guess I'm thinking that implicit is imaginatively very different from explicit. I, for one, never thought the implication through. For me, the image of a smoldering pile of broken statuary had the effect of emphasizing how scarily invulnerable and adamantine these monstrous beings are: IT'S NOT EVEN ENOUGH TO SMASH THEM TO PIECES -- YOU HAVE TO BURN THE BITS TOO BEFORE THEY'RE REALLY DEAD. Exactly the opposite of suggesting (as Openhome observes) that if vampires are as flammable as all that, they've got a weakness after all.
Do you see what I'm getting at? Sure one follows logically from the other, but actually emphasizing this vulnerability -- incorporating it into your story rather than leaving it an unexamined implication -- changes the impression you give your reader of just how perfectly invulnerable your vampires are.
Which may well have been deliberate. In fact, I suspect it's the natural consequence of taking your heroine beyond the story of her human life and into the story of her post-human existence. Once vampire immortality isn't just something Edward's got and Bella hasn't (or the blissful happy ending which rings down the curtain on Bella's story) -- once, in effect, Stephenie is in the business of writing the part of BD which deals with Bella post-transformation...well, being a vampire can't go on being this unimaginable state of perfect omnipotence and security. The image of the vampire as all-powerful Guardian Angel (or Nemesis) has to give way to Vulnerable Superhero, now that Bella's one too. Otherwise there would be no dramatic tension and no story.
Now you could argue that this is precisely why the story of Twilight should have concluded with Bella's transformation. It's a matter of taste. But certainly it becomes a different story if it takes us on into that post-human future. Bella's transformation ceases to be important in itself -- the grand culmination of the emotional and spiritual journey she's been on since the day she met Edward -- and becomes merely the gateway to the next chapter of her adventures.
And what it means to be a vampire changes as well. In effect, she was right and Edward was wrong: it's no big deal, really -- the important things don't change. You go on loving and living (and in Bella's case even having children) -- and dying. Yes, I know: we've been aware since TW that vampires can get killed -- Bella is half crazy with fear for Edward's safety when James appears, and the newborn army is no trivial threat -- but again, it's a matter of emphasis. What the earlier story underscores is the contrast between human fragility and vampire invulnerability. Being a vampire is different. Life (and death) as you know it are over. ("So ready for this to be the end," Edward muses in TW, "though your life has barely started."). But now that we've looked closely, it looks more like a new version of the same.
“When did you ever promise to kill yourself falling out of Charlie’s tree?”